A very good, special show ended last week and I bet many of you don’t even know it. The good news is you can still watch it because it now lives in the digital realm thanks to Netflix. I hope you heed my suggestion.
Person of Interest ended on Tuesday night after a quick burn of its final 13 episodes over the last month and a half. Its final season was cut down from 22 to 13 episodes. The reduced runtime really honed the writing and the story. In fact, credit where credit is due: CBS could have just cancelled the show outright or let the producers wiggle on the line regarding renewal. But they gave them a final run and the show’s creators made the most of it.
The series centered on Harold Finch played masterfully by Michael Emerson. Finch build a surveillance Machine for the government to fight terrorism after 9/11 with access to camera feeds, phone calls, emails, text messages, internet searches… everything. It feeds information to the government about terrorists based on all of this collected data so it can stop terrorist attacks. There is a privacy compromise, however: the government can’t see or access this information. The Machine communicates a social security number or another unique ID associated to a person. The government must then determine if that person is a terrorist, a terror target, or somehow affiliated with terrorists on its own.
But because the Machine sees everything it knows about non-terrorist violent crimes, too. The government wasn’t interested in those, though. Those crimes are labeled “irrelevant.” Harold set up a connection with the machine so that he receives the “irrelevant” numbers so he can intervene. However genius Harold may be, he’s not equipped to stop these crimes on his own so he partners with a former CIA operative, John Reese, played by Jesus himself, Jim Caviezel. Reese is cast off, adrift, and probably close to death either by his own hand or otherwise. Harold gives John a purpose and they get to work receiving numbers and helping people.
Every episode opened with a “saga sell” kind of like Quantum Leap had (the first 48 seconds of this clip), which explained the show’s premise. Watch POI’s “saga sell” from season one. It’s more succinct than my summary. And here is a scene from the pilot episode with our two leads discussing it as well.
On the surface, Person of Interest was like any other CBS crime procedural. A new number—a new case—every week. Good guys and bad guys. Easy enough, right? For the first third of its first season, Person of Interest seemed to conform to that, but a dense mythology was brewing under the surface. How did Harold build this Machine? How does it reach the conclusions that it does? If the government wants to keep this a secret, what might they do if they found out Harold can access the Machine and receive information from it?
Additionally, and perhaps more importantly, even though the Machine helps them stop crime and the government stop terror attacks, it is a massive overreach of power. The government’s system can see everything we do. Harold’s defense might be that only the Machine sees that data, no human can view the private information the Machine sees. Is this right? The end result is good, but at what cost? How might this kind of technology be abused?
But the most fundamental question of all: what really is the Machine? It’s better if you watch to find out, but I can say concisely: artificial intelligence. The Machine is not just a database. Not just an algorithm. It thinks. And it learns. It makes judgements. That’s how the Machine can make determinations about if a violent crime is going to occur—it’s not just if Steve says, “I’m going to kill Judy.” The Machine sees that Steve purchased a gun, he has a violent felony arrest record, he’s bought plastic sheeting, and he’s made an appointment with Judy late at night in a secluded part of town. All of those facts taken together (and much more) factor into the Machine’s decision-making. In practice, the Machine would send Steve’s SSN to Harold and he and John would need to investigate to find out what’s going on.
While POI never really shed its “procedural” shell, it transitioned from a crime thriller to a modern science fiction show with the introduction of a mysterious hacker, Root (played by the ageless Amy Acker), who had figured out that the Machine existed and, realizing what it was, wanted to free it. Root saw the Machine as a higher life form, an ASI—Artificial Super Intelligence—a god even. But Harold had “shackled” the Machine with rules so that it couldn’t be abused and so that it would not grow too powerful in its own right. Here, the show started to show its true colors. It was a CBS crime procedural, yes… but it was also about a nascent artificial intelligence and all of the ethical questions associated with its creation, how others might seek to use it, and its very existence.
The show gave us many glimpses into the past about how Harold not only created the Machine, but also how he taught it judgment, logic, and, most importantly, the value of life. Arguably, that education continued between Harold and John; Harold discouraged John from killing and encouraged less lethal means. It was also a way for our series lead badass to not kill 20 people an episode and just shoot them in the legs. CBS probably would have frowned on the excess murder, but gunshot legs are fine.
Meanwhile, as the show continued, evidence of another artificial intelligence loomed. If Harold’s Machine was a passive conduit for our heroes to help people and save lives, the introduction of “Samaritan” showed that there was another way artificial intelligence could go. Samaritan was an ASI unshackled like the Machine. Its handlers weren’t trying to protect privacy or restrain its power and access, they wanted Samaritan to amass knowledge, influence, and power. While the Machine made no direct action itself, Samaritan changed police records, deactivated security systems, influenced stock market prices, texted people with monetary incentives to do its bidding, and was basically a precursor to Skynet from The Terminator.
But it has to be emphasized that the show kept all of this grounded in reality. And that’s the scary part! Nothing Samaritan (or the Machine) did seems out of the realm of possibility. In fact, the show makes explicit references to actual, real government programs to build something like the fictional Machine or Samaritan. If you don’t know, the government actually tried to do something like this. Three such projects were TIA, Stellar Wind, and Trailblazer. The show was science fiction, but just barely.
And like any good science fiction, it’s the characters that breathe life into the “fantastical” situations and story. We begin, like we do with any CBS procedural, believing our heroes are the chaste, white knights chasing down bad guys. But think about what Harold has created. It’s true that he’s trying to use the Machine for “good,” but he’s effectively hacking a government program. And the Machine exists as a tool for violating personal privacy and rights of search. That it’s a “benevolent” intelligence is beside the point. Our “heroes” are vigilantes. And, more to the point, may have opened Pandora’s Box. Had Harold not created the Machine, would Samaritan exist? Would the government have simply found a way to build this technology anyway with a less altruistic creator? These are questions you might have and the show, God Bless It, addresses.
In my zeal to sell you on the concept, I’ve left out a ton of things you should discover on your own. Taraji P. Henson plays Detective Joss Carter, who is on John Reese’s tail as well as facing down an inter-departmental ring of dirty cops. Kevin Chapman plays Detective Lionel Fusco, a crooked cop in which John Reese takes an interest. Sarah Shahi plays Sameen Shaw, a government operative initially working on the list of numbers from the Machine’s “relevant” list, who may also be a high functioning sociopath. And there’s a host of other recurring characters that “Team Machine” encounters along the way who only enrich the universe the creators have crafted. There’s even an awesome dog who is probably my favorite character, but really it’s because it’s a dog.
Ron Swanson once said, “Son, you should know that my recommendation is essentially a guarantee.” This is true of my recommendation as well. I hope you check out Person of Interest. The first four seasons are on Netflix right now. In a pinch you could get the final season on iTunes or Amazon Video, whatever. But for those of you (I’m one!) who have lamented the lack of quality in broadcast network TV, Person of Interest was a rarity. It broke the mold of CBS’s usual, tired premises and aspired to be a thoughtful, exciting, dynamic show with real heart and purpose at its center.
As I noted at the beginning, Person of Interest’s series finale aired last week. Finales are hard to get right. In my humble opinion, Breaking Bad and The Shield are probably the best, most satisfying TV finales ever crafted. POI breathes that rarefied air, too. So, if you’re not looking to get invested in a show only to be disappointed by the end, you can relax. If anything, you’ll wish there was more Person of Interest to come and really, that’s the way to end a show: make the audience miss it, not be glad it’s dead.
I miss Person of Interest. If even a few of you pick it up on my recommendation, it will have been worth it. You’ve got a hell of a good show ahead of you to watch and I’m envious.