I’ve said it before and I’ll say it again: we’re living in a golden age of entertainment, particularly on TV.
Better (read: smarter) people than I have tried to explain what brought us here in historical and academic terms, so I won’t try to improve upon on what’s already been done very well. But if you’re interested in the subject (and really why wouldn’t you be??) TV reviewer Alan Sepinwall wrote a great book, The Revolution Was Televised: The Cops, Crooks, Slingers, and Slayers Who Changed TV Drama Forever that covers the subject in an fun, non-academic way. It’s a good read is all I’m saying.
I argue, however, that one show, more than any other, put us on the road to TV greatness: Twin Peaks. Had it not been for Twin Peaks, we wouldn’t have gotten The Sopranos, Lost, 24, Breaking Bad, Game of Thrones, and many other wonderful shows that pushed the boundaries of what TV “is.”
Twin Peaks was not the first show to push the boundaries of TV. That honor belongs to Hill Street Blues (and one of that show’s writers, Mark Frost, joined David Lynch in crafting Twin Peaks). Some might argue that All in the Family or M*A*S*H, were first, but I’m specifically talking about the hour-long TV drama. Besides, AITF and M*A*S*H still adhered to many well-worn sitcom and pre-golden era TV tropes that overrule their influence. But there were other shows that broke the mold during and after Hill Street Blues like St. Elsewhere and Moonlighting.
St. Elsewhere was a post-modern take on the “medical drama.” It starred, throughout its run, William Daniels (Mr. Feeney! And KITT from Knight Rider, of course), Ed Begley Jr. (he’s been in everything and most recently was Erin’s dad in The Office finale), and Howie Mandel (he hosted Deal or No Deal and was the voice of the eponymous “Bobby” from Bobby’s World an old FOX cartoon). It’s probably most infamous for its ending where…
**SPOILER ALERT — if you count shows that ended almost 30 years ago capable of being spoiled** …we learned that the whole show took place in the imagination of an autistic boy, Tommy Westphall, staring at a snow globe with the hospital St. Elsewhere inside of it. I’ve always been fascinated by this ending because St. Elsewhere crossed over with Homicide: Life on the Street, which in turn crossed over with other shows like Law & Order. Homicide’s Richard Beltzer’s* Detective Munch crossed over on like 10 different shows as Munch meaning that all of these shows originated in the mind of Tommy Westphall. Fascinating. **SPOILERS END**
Moonlighting was the original “will they or won’t they” drama. It had highly imaginative, spirited dialogue and “outside the box” stories (for example, they had a musical episode and a black and white episode before it was fashionable to do so). It starred pre-Die Hard Bruce Willis and was on when that movie premiered so his star had begun to rise. It also starred Cybill Shepherd, who did not become as famous, and became notoriously more and more difficult to work with on the show. As far as plot, Moonlighting was about a private detective agency run by two hot people (yes, Cybill Shepherd was hot once… and Bruce used to have hair, too) who worked with a lot of sexual tension. They eventually got together and became a cautionary tale for how not to get your leads together because all drama went out of the show. It ultimately only lasted 4 seasons. If I’m being fair, the show was run by Glenn Gordon Caron, who was also a difficult personality. He had never run a show before and scripts were usually late and changed often, right up until shooting started and even during. So, the show had a few issues. But it’s notable for sharp, clever, and well-written episodes that were meta before meta was a thing. Case in point…
**SPOILER ALERT** …the last episode of the show started like all of the others. The story was just as much about the end of the show, in the real world, as it was the plot of that particular episode. Over the course of the episode, you see crew members breaking down the set in the background of scenes. David and Maddie discuss their failed romance and the dialogue is “in-world” as much as it’s a meta-commentary on how the show has failed. You could probably say that without Moonlighting there would be no Community, which is certainly the most meta show that has ever existed. **SPOILERS END**
There are many reasons why you should watch Twin Peaks (or pick it back up if you never finished originally), but I boiled them down to five in no particular order:
5. Who Killed Laura Palmer?
That question is famous. You can type it into Google and it will tell you… so don’t do it and get spoiled. The mystery surrounding her murder is made more interesting by the details of her brief, disturbed, dark life — none of which would be self evident just by looking at the angelic beauty. This is the standard-bearer by which all TV mysteries are judged.
Also, Laura’s death and life are our windows into Twin Peaks where we learn that just like Laura, nothing is what it seems. Everyone is living at least one extra life or getting’ some on the side.
4. Audrey Horne (Sherilyn Fenn)
3. David Lynch
You’ve never seen a show like Twin Peaks.
Did you like True Detective? How about Lost? Or even Game of Thrones?
All of these shows (and more) drew something from Twin Peaks. Think about all of those long, lingering wide shots of the bizarrely beautiful Louisiana countryside that filled you with dread in True Detective. Watch Twin Peaks. Somehow David Lynch turned shots of wind blowing through trees and traffic lights at night into portents of evil. Some of the scariest imagery I’ve ever seen is from Twin Peaks — and I’m talking about skin-chilling, stomach dropping scary.
2. Shelly Johnson (Madchen Amick)
1. Dale Cooper (Kyle MacLachlan)
There’s never been a hero quite like Dale Cooper. The only things you need to know about him can be found in the below two scenes:
He’s a strange guy in a strange town investigating a strange murder.
If you’re looking for a new show to get into OR you watched Twin Peaks years ago and never finished, now is the time. The whole series is on Netflix. It’s also getting re-released on Blu-Ray along with the follow up movie Twin Peaks: Fire Walk With Me. It’s a great piece of TV history and addictive as hell.
Plus, Audrey, Shelly, and Donna:
Let me say “You’re Welcome” in advance.